BEST PRACTICES GUIDE
Please read the Press, Styling and Public Performances Best Practice Guide in addition to the information on this page.
Publicity Best Practices Guide
This section should be read in conjunction with the copy, imagery, video and audio advice detailed earlier in this guide.
CONTENT
- Each territory publicist manages their own media content – there is no media portal on moulinrougemusical.com.
- The entire show title Moulin Rouge! The Musical must be used in ALL mentions of the show – in headlines and in stories (be sure to include “The Musical.” Do not refer to the show simply as “Moulin Rouge.”)
GUIDELINES FOR GUESTS/INFLUENCERS
We’ve created the following social media guide for you to provide to any guests (influencers, media, celebrities etc.) entering the theatre. This is to ensure that when posting about the show, they use the correct title and hashtags, i.e., Moulin Rouge! The Musical (not just Moulin Rouge).
Access the template here.
For guests given access to the auditorium or stage, please follow these best practices:- Guests should not be allowed on the main stage or inside the heart portals. Our preference is for guests to be given access to the auditorium before the public enters, with the stage and lighting in a pre-show state, so they can take photos from the stalls with the MR sign/heart portals in the background.
- For high-profile influencers, you may give them access to the passerelle to take pictures with the MR sign in the pre-show state.
- Backstage photos with guests are allowed but avoid having cast in costume. Guests cannot take photos with cast in costume on stage, in the auditorium, or in the foyer with special guests. Exceptions to this:
- If Baz Luhrmann visits, he is allowed on stage for video or photo opportunities with the cast, or during a curtain call speech.
- If an A list celebrity is visiting, you must seek approval from the Resident Director and GC before allowing them on stage for a photo. However the global preference is to take the photo backstage or in the foyer with the cast member out of costume.
- During curtain call speeches for Charity events, allow charity/guests on stage.
- Students may be allowed on stage during Get Technical! events if invited by the host.
- In rare circumstances, media may be allowed on stage if it is a high-profile opportunity. Full show lighting must be used.
KEY APPEARANCES
The Blonds Spring 2020 Collection x Moulin Rouge! The Musical (9 September 2019): As part of New York Fashion Week, local design duo Phillipe Blond and David Blond (The Blonds) premiered their collection inside the Al Hirschfeld Theatre on the set of the show. The 60-minute event doubled as the launch of the OCR, as such the two shows were interwoven, with sample numbers from the musical interspersed with a runway onstage. In terms of Moulin Rouge! The Musical, truncated versions of the opening number, “The Sparkling Diamond”, “Your Song” and the encore were performed. Externals were allowed to use show elements, including Phillipe Blond entering on Satine’s trapeze, models riding the diamond pedestals, models in the Elephant set, Paris Hilton entering on the Eiffel Tower and Billy Porter guest-starring in the encore. There was also a Pose-inspired voguing performance featuring Billy Porter singing his own pop song, “Love Yourself”. The cast were in costume, except for “Your Song”, where Satine and Christian were dressed by The Blonds. The entire performance used tracks (rather than a live band). A video of the performance is available via Global Creatures. There was a separate activation with MAC offsite.
“Your Song” on “The Late Show with Stephen Colbert” (November 16, 2019): In the first television performance, the producers and creative team wanted to highlight the two leads, along with a familiar song people know and remember from the film, with everything backed by an ‘enhanced’ (meaning, more musicians than play at the show) orchestra to give it a richer sound. Alex Timbers provided the color palette for everything from the actor’s clothing to the set (LED screen) design. There was also a cast interview. Note this performance included more live string and horns musicians (to replicate the in-theater sound which uses musicians and track to achieve the same effect).
Broadway Across America conference (10 February 2020): A 20-minute show sampler was performed with a reduced cast. The performance opened with “Lady Marmalade”, including a custom Zidler monologue and sampling of “You Spin Me Round”. This was followed by “Truth Beauty Freedom Love”. Justine Levine then played (and sang) an acoustic version of the intro to “Sympathy for the Duke”, which was completed by Karen Olivo and Tam Mutu (against track). The performance concluded with “Elephant Love Medley” acoustic into track. Cast were not in costume, used hand-held mics, and there was light staging. All songs were tracked, except where noted. An archival of this performance is available from Global Creatures.“Welcome to the Moulin Rouge!” (cut-down) on “Good Morning America” (February 18, 2020): In the second television performance, GMA agreed to come to the theatre to film a live performance. They were insistent that if they do this, it should show off the lush design of the theatre, the sets, the costumes, etc. Given that this was to be filmed within the context of the world of the actual show, the creative team obliged by leaning into the spectacle and showing off all the elements of the production that are unlike anything else on Broadway. Note there was also a backstage featurette. Note this performance is a special construction, including only one verse of “Lady Marmalade” before Zidler enters, reduced Zidler monologue, no Duke, one verse of “Burning Down the House” and edits in the dance break.
US Open Tennis Tournament Opening Night Ceremony (30 August 2021): Moulin Rouge! The Musical was invited to headline the tournament’s prestigious Opening Night ceremony at Arthur Ashe Stadium. After being introduced by American tennis legend Billie Jean King, a 1-minute teaser video was screened followed by three performances. The Lady Ms sang “Lady Marmalade”, Aaron Tveit and Natalie Mendoza sang “Come What May” and, to finish the program, Aaron and the Lady M’s sang the American National Anthem. The tracks for “Lady Marmalade” (2m10s) and for “Come What May” (3m12s) came from the Original Cast Record, including the backing vocals on Lady M. The US Open supplied the track for the National Anthem. Notably, this was Natalie’s first public performance since replacing Karen Olivo in the role of as Satine. In addition to the 23,771 spectators in the stadium, the ceremony was broadcast on ESPN2 and streamed via the US Open’s World Feed. Video of the performance is viewable on the Broadway production’s Instagram account –https://www.instagram.com/tv/CTQHS90l_rt/
Tony Awards 2021 (27 September 2021): At the 74th Tony Awards, Moulin Rouge! The Musical received 14 nominations and won 10 awards (the most for the evening), including Best Musical. A performance of ‘Lady Marmalade/Can-Can/Marmalade Reprise’ was broadcast, featuring an introduction from Aaron Tveit (Christian) filmed on the Al Hirschfeld roof. “The Sparkling Diamond” on “NBC’s 95th Annual Macy’s Thanksgiving Day Parade” (25 November 2021): This was the television debut of “The Sparkling Diamond,” as performed by the Broadway cast. As is traditional for a Broadway show on this broadcast, the performance was live on 34th street in front of Macy’s department store on Thanksgiving morning. The actor playing Satine lip-synced to her own pre-recorded vocals to a track that was recorded by Macy’s orchestra (not cast album). Given that this is a very family-friendly broadcast, NBC and Macy’s both had concerns about the costumes being appropriate for their viewing audience. The Lady Ms and ensemble heels had modifications to their costumes to bring their panty lines down for more coverage. Additionally, the ensemble heels wore the jacket/tails look through the entire number, which required wardrobe to sew the breakaway element on each costume the night before. NBC and Macy’s were concerned about the “illusion of toplessness” in the ensemble heels costumes under the breakaway. https://youtu.be/yDDDEbLH_co Royal Variety 2021 (19 December 2021): The Royal Variety Performance is a televised variety show held annually in the United Kingdom to raise money for the Royal Variety Charity. In 2021, the West End Cast performed ‘Lady Marmalade/Can-Can/Burnin’ Down the House/Marmalade Reprise’ live from Royal Albert Hall for the event which was televised nation-wide. “Your Song” on “The View” (21 February 21 2022): For this performance from the Broadway cast, “The View” required that it be filmed on their in-studio set. The cast album track was used and the actors’ sung live. Set Designer Derek McLane and his associate Erica Hemminger created a beautiful Paris cityscape that was displayed behind the actors. The center image was on a digital screen and the two side images were printed by “The View” art dept. This art is now available for use on other appearances. The production initially pushed “The View” to have the performance done in the actors’ own modern, nice clothing. When “The View” threatened to pull the appearance if it wasn’t in costume, Alex Timbers opted for these specific costumes and the performance done with no staging at microphones. https://youtu.be/VNJZLFNCBTg Olivier Awards, ITV (10 April 2022): The London cast performed “Welcome to the Moulin Rouge!” at the Royal Albert Hall as part of the televised awards ceremony. This was a special construction, which removed “So Fresh & So Clean”, “Burning Down the House” and “Let’s Dance”. Zidler’s monologue was also reduced. The performance was introduced by Liisi LaFontaine (Satine) and Jamie Bogyo (Christian). (A similar but extended number was previously performed at the Royal Variety Performance, also filmed at the Royal Albert Hall and broadcast on ITV on 18 November 2021.) https://www.youtube.com/watch?v=i5cWAC7GH3E “Britain’s Got Talent” – First Live Semi-Final, ITV (30 May 2022): The London cast was invited to perform two numbers during the live broadcast of the first 2022 semi-final: The show opened with an edited version of “Welcome to the Moulin Rouge!”, and as part of the performance, Zidler introduced the BGT judges as well as hosts Ant and Dec, who descended in a heart-shaped frame. https://www.youtube.com/watch?v=9gFl5F5VNxI. Later in the show, the cast performed “Backstage Romance”. It featured an extended number of tracks, to accommodate all ensemble members and swings who wanted to be involved. https://www.youtube.com/watch?v=x4pfHYdiYuY “Lady Marmalade” on “Macy’s 4th of July Fireworks Spectacular” (4 July 2022): Much like the US Open appearance, and using the same cast album track created for that, this performance by the Broadway cast was live on NBC with live vocals. The actors were instructed to wear performance attire in blacks and reds. We’ve now leaned into paying for the actors to be styled to have a more cohesive look for future appearances. https://youtu.be/tgVyfY7x–s West End Live 2022 (4 July 2022):Jamie Bogyo (Christian) introduces Moulin Rouge! The Musical to the West End LIVE stage, as they perform Lady Marmalade and Firework. “El Tango de Roxanne” on “The Late Late Show with James Corden!” (25 August 2022): This was the television debut of “El Tango de Roxanne,” as performed by the First National US Tour cast. The production had always hoped to perform this particular number on a late night talk show where the audience felt most appropriate for the subject matter. “The Late Late Show” required that it be filmed in costume on their in-studio set. The cast album track was used and the actor playing Christian was the only one singing live. Their team worked closely with Alex Timbers, Sonya Tayeh and their associates to try to replicate the mood of the number as it appears in the show both with lighting and the set in their very small studio space. There was discussion after the rehearsal a few days prior of cutting the cross for Satine and The Duke for concern that they’d be lost visually. Ultimately, it was kept and everyone was pleased with how this was integrated into the storytelling. https://youtu.be/FXclYVXYA2o Curtain Up! Concert (2 October 2022): Derek Klena (Christian) and Ashley Loren (Satine) perform, ‘Come What May’ from Moulin Rouge! The Musical at Curtain Up Broadway Festival. “Elephant Love Medley” on Thanksgiving Day Parade on CBS (24 November 2022): This was the television debut of “Elephant Love Medley” with the Broadway company on the Broadway set. Satine and Christian performed with live vocals wearing their show mics. This was a very straightforward capture of a shorter cut of the number. It’s important to note that there was a four hour lighting call two days prior to address adjusting the lighting for the cameras. It made a big difference. Additional lighting adjustments were made on the day, overseen by Alex Timbers and Justin Townsend. https://youtu.be/B7-xZoS081EThe Encore (“More! More! More!”) was originally allowed to be filmed by the audience for their personal social media; however, this has ceased.
When planning performances, consider:
- The creative team prefer that cast who are in costume do not appear out of context.
- Some moments of the show are never revealed, including the pre-show Club costumes, the gun scene (Crazy Rolling), and Satine’s death.
- Some moments are shown in imagery only, including “The Sparkling Diamond.”
REFERENCE MEDIA COVERAGE
The below coverage is useful background for publicists in all territories:
BROADWAY- The Boston Globe (5 July 2018): Overview story with Alex Timbers interview
- Vogue (11 June 2019): Interview with Baz Luhrmann and John Logan with custom photoshoot
- Dance Magazine (15 July 2019): Sonya Tayeh interview
- Variety Stagecraft Podcast (16 July 2019): Extended interview with Alex Timbers and John Logan
- The New York Times (17 July 2019): Detailed overview of the music rights
- Newsday (18 July 2019): Timbers and Tveit interview, with focus on design
- Time (25 July 2021): Video interview with Catherine Zuber on costume
- Architectural Digest (22 July 2019): Derek McLane interview
- Time (24 July 2019): Written and video interview with Catherine Zuber
- Playbill (12 August 2019): Interview with Alex Timbers
- Billboard (6 September 2019): Interview with Aaron Tveit, Karen Olivo and Sahr Ngaujah regarding performing the mash-up style of music
- Spectrum News NY1 (7 September 2019): Interviews with Aaron Tveit, Karen Olivo, Carmen Pavlovic, Justin Levine
- Light & Sound Magazine (October 2019): Extensive technical interview
- BUILD Series (11 October 2019): Extended interviews with Aaron Tveit, Justin Levine and Alex Timbers
- Broadway.com (27 November 2019): Extended Alex Timbers interview with video
- Broadway.com (5 December 2019): Written and video interview with Sonya Tayeh
- Playbill (10 December 2019): Music breakdown with Justin Levine
- Entertainment Weekly (16 December 2019): Sonya Tayeh interview
- CBS News (16 February 2020): Interview with Derek Lane
- Variety Stagecraft Podcast (5 May 2020): Extended interview with Carmen Pavlovic
- Costume Industry Collection (13 October 2020): Costume breakdown with Catherine Zuber
- Variety Streaming Room (28 October 2020): Cast and creative reunion, with introduction from Baz Luhrmann
- New York Times (21 Jan 2021): Company interviews regarding Broadway shutdown
- The Age (9 February 2021): Baz Luhrmann on the L’amour motif
- Playbill (2 March 2021): Alex Timbers breaks down the Chandelier scene
- Variety (10 March 2021): Sonya Tayeh on the choreography of Moulin Rouge! The Musical
- Sydney Morning Herald (3 May 2021): Baz Luhrmann & CM on 20th anniversary
- Screen Australia (7 May 2021): Baz Luhrmann & CM on 20th anniversary
- ABC 7.30 Australia (17 May 2021): Long-shoot casting to rehearsals TV piece.
- Screen Australia (24 May 2021): Baz and CM interview cut from Global Creatures footage.
- Entertainment Weekly (28 May 2021): 20th anniversary series – Elephant Love Medley
- Entertainment Weekly (31 May 2021): 20th anniversary series – the choreography
- Entertainment Weekly (1 June 2021): 20th anniversary series – the music
- Entertainment Weekly (1 June 2021): 20th anniversary series – the soundtrack
- Limelight Magazine (26 July 2021): Extended Pavlovic career interview
- ABC Radio Melbourne (12 August 2021): Zuber interview
- Australian Financial Review (19 August 2021): Extended Baz career story
- The Australian (27 August 2021): Main story: The making of Moulin Rouge! The Musical
- The Australian (27 August 2021): Supplementary EGN: The making of Moulin Rouge! The Musical
- ABC Radio (31 August 2021): Extended Levine interview inc Elephant Love Medley breakdown
- The Age Melbourne (3 September 2021): Extended interviews with core creatives
- Vogue Australia (2 December 2022): Australian cast photoshoot with Vogue
- Sydney Morning Herald (14 March 2022): Sydney season announcement story and photo from launch event at Cafe Sydney.
- Sky News Australia (18 June 2022): Carmen Pavlovic interview
- ABC News (3 February 2023): Jarrod Draper (Toulouse-Lautrec) TV feature story aired nationally
- QWeekend (17 June 2023): Baz Luhrmann and Catherine Martin QWeekend Cover and four-page cover story
- Brisbane Television Appearances (June 2023): various announcements and interviews with cast, Baz Luhrmann, and Carmen Pavlovic at the Brisbane Media Call
- 7NEWS Melbourne (24 August 2023): Exclusive backstage package with Bert LaBonte (Toulouse-Lautrec)
- Weekend Sunrise (26 August 2023): Behind-the-scenes package including interviews with Alinta Chidzey, Des Flanagan and Carmen Pavlovic
- ABC Artworks (August 2023): Entire episode filmed behind-the-scenes at the Regent Theatre
- WhatsOnStage (2 December 2021): Moulin Rouge The Musical new cast announced at the Piccadilly Theatre: Melissa James, Jamie Muscato, Matt Rixon, Ben Richards – Year 2 casting announcement
- London Evening Standard (24 January 2022): Interview with Liisi LaFontaine (Satine) and Jamie Bogyo (Christian) of the original London cast.
- Official London Theatre (27 September 2021): Original London cast announcement feature.
- Metro (30 March 2022): Behind the scenes feature of the London production.
- WhatsOnStage (30 September 2022): Baz Luhrmann on the red carpet of the Charity Gala event in London.
- BroadwayWorld.com (5 September 2022): London Year 2 cast announcement.
- West End Theatre (5 September 2022): Moulin Rouge The Musical new cast announced at the Piccadilly Theatre: Melissa James, Jamie Muscato, Matt Rixon, Ben Richards – Year 2 casting announcement
- Playbill (7 September 2023): Tanisha Spring and Dom Simpson to star in west end Moulin Rouge
- Getty (November 2023): Syndicate news coverage clips including interviews with Baz Luhrmann, Tanisha Spring and Dom Simpson
- Centre Stage (November 2023): Q&As with Dom Simpson and Tanisha Spring
- BBC Radio 2: The Zoe Ball Breakfast Show (November 2023): Baz Luhrmann joins Zoe Ball and fellow guests Jane McDonald and Stephen Mangan to talk about Moulin Rouge! The Musical. [Timecode: 01.39.07]
- BBC Strictly Come Dancing (2 December 2023): Feature clip: Layton Williams and Nikita Kuzmin visit Piccadilly Theatre and dance to ‘Bad Romance’ [Timecode: 00.33.25]
- WhatsOnStage (15 May 2024): Moulin Rouge! The Musical announces first world tour stop dates and details.
OTHER REFERENCE MATERIAL
- Souvenir Program
- Baz Luhrmann essay
- “For your consideration” Tony Awards voters book including David Cote essay
- New York publisher Rizzoli partnered with Moulin Rouge! The Musical to create a coffee table book about the journey of putting on the Broadway show. To purchase the book, click here.
TALKING POINTS
These interview guidelines base for talent can be adapted for use in all territories.
Title:
- The show must always be referred to as Moulin Rouge! The Musical. In spoken interviews, it is acceptable to truncate the name of the show to ‘Moulin Rouge’ if the full name has been said once.
Key Dates:
- Carmen Pavlovic (CEO, Global Creatures) first approached Baz Luhrmann for the rights to MOULIN ROUGE! in 2009.
- In 2013 Baz Luhrmann and Alex Timbers met at a dinner party (hosted by Anna Wintour), with Luhrmann having recently seen Timbers’ production of Bloody Bloody Andrew Jackson. Luhrmann suggested to Global Creatures that Timbers would be a strong candidate to direct the stage adaptation, unaware that Carmen Pavlovic already had Timbers on her shortlist.
- In 2015 Alex Timbers officially joined the production as the rights negotiations continued in the background.
- After seven years of negotiations across three continents, Global Creatures formally obtained all the rights necessary to produce the stage adaptation in June 2016. News of the musical was made public the same year, with John Logan, Justine Levine and Sonya Tayeh joining the production. There were a series of early meetings with John Logan and Justin Levine to refine the concept and produce a demo arrangement working with producer Matt Stine.
- Staged readings of the production occurred in December 2016 and April/May 2017.
- In October-December 2017 there were two 3-week workshops to refine the production. This workshop included many of the actors who would end up being integral to the Broadway show – Aaron Tveit, Karen Olivo, Sahr Ngaujah, Tam Mutu, and Robyn Hurder.
- Official press opening Moulin Rouge! The Musical Boston: 3 August 2018
- Official press opening Moulin Rouge! The Musical Broadway: 25 July 2019
- Last show due to COVID: 11 March 2020 (262 performances + 24 previews)
- Official Press Opening in Melbourne Australia: 12 November 2021
- Official Press Opening in NA Tour: 19 March 2022
- Official Press Opening in Sydney Australia: 4 June 2022
- Official Press Announcement Netherlands: 6 March 2024
- Official Press Announcement Japan: 31 August 2022
- Official Press Announcement Korea: 21 June 2022
- Official Press Announcement Germany: 16 March 2022
- Official Press Announcement West End: 18 October 2019
- Official Press Announcement World Tour: 16 April 2024
The Creative Team:
- Alex Timbers (Director)
- John Logan (Book)
- Sonya Tayeh (Choreography)
- Justin Levine (Music Supervision, Orchestrations, Arrangements and Additional Lyrics)
- Derek McLane (Sets)
- Catherine Zuber (Costumes)
- Justin Townsend (Lighting)
- Peter Hylenski (Sound)
- David Brian Brown (Wig and Hair Design)
- Sarah Cimino (Make-up Design)
- Matt Stine (Music Producer)
- Justin Levine/Matt Stine (Dance Arrangements)
Baz Luhrmann and Catherine Martin are mentors and Creative Consultants to the production, but are not involved day to day. Baz co-produced the Original Cast Recording, which was released on his label, House of Iona, on 30 August 2019.
The Show
- Moulin Rouge! The Musical is a celebration of the Broadway musical tradition. Keen-eyed audience members will spot Broadway references throughout the production, including:
- Cabaret / Fiddler on the Roof – The opening number pays tribute to both opening numbers of “Cabaret” and “Tradition,” showing a central MC figure welcoming the audience into the club/world of the show and introducing the various classes that make up the show’s society.
- Rent – In “Truth Beauty Freedom Love”, this cri de coeur of a group of artists and bohemians at a streetside cafe riffs on staging imagery and emotional themes from “La Vie Boheme”.
- Kiss Me Kate – In creating a high-octane act-two opener (“Backstage Romance”), the creatives took inspiration from Kiss Me Kate’s “Too Darn Hot”, setting the number backstage at the Moulin Rouge, which begins with a couple and then eventually builds until you get the full ensemble onstage.
- The show also celebrates the artist – indeed Toulouse-Lautrec says in the show, “I am an artist. You should quake at that.” Most of the characters in the show (from Bohemians to club performers) represent artists who are trying to survive and thrive against all odds.
- Moulin Rouge! The Musical depicts a show within a show, and that experience starts the moment you walk into the theatre, with the auditorium dressed as if entering the club.
The Music
- FOR PRESS PURPOSES ONLY: Moulin Rouge! The Musical celebrates popular music, with iconic songs from the movie meeting new additions from artists including Sia, Adele, Rihanna, Katy Perry and Beyoncé. The show features songs drawn from over a century of music, from Offenbach to Lady Gaga. [Note: To keep the element of surprise, we avoid naming the songs that have been added to the stage show and, legally, artist names cannot be used in promotion without permission from the artist. We have no formal permission and stay away from using artist names in marketing materials EXCEPT in press release text, because the press will most likely mention the artists no matter what we do. We also allow use of artist names on a show’s website if not very prominent, i.e., not on a home page but within the site on a different page. We do not allow/authorize use of artist names in other marketing materials.]
- SHORT: Bringing Moulin Rouge! The Musical to the stage was a decade-long journey, spanning 3 continents, encompassing over 70 songs, representing over 160 years of music.
- LONG: Bringing Moulin Rouge! The Musical to the stage was a decade-long journey, spanning 3 continents, encompassing 75 songs credited to 165 songwriters, administered by 31 publishers, representing over 160 years of music.
- Moulin Rouge! The Musical celebrates popular music, with iconic songs from the movie meeting new additions from artists including Sia, Adele, Rihanna, Katy Perry and Beyoncé. The show features songs drawn from over a century of music, from Offenbach to Lady Gaga. [Note: To keep the element of surprise, we avoid naming the songs that have been added to the stage show – instead we name the artists.]
- Moulin Rouge! The Musical is a creature of its own style, with mash-ups, remixes, reinventions. [Note: Never refer to the show as a jukebox musical.]
- The Original Cast Recording debuted at #1 on the Billboard Cast Album charts and was nominated for a Grammy Award.
EXTRA INFORMATION
This information may be useful background for publicists in pitching stories.
Trivia – The Stage Show
- Alex Timbers and John Logan always envisaged that Moulin Rouge! The Musical would appear like it was set in the club itself, and this was spectacularly realized by Derek McLane’s designs. However, the road to that design was a twist of fate. The out-of-town run was staged at Boston’s Emerson Colonial Theater which had undergone a lengthy restoration, which saw its once-red interior changed to green. As such, McLane’s lush designs, which saw the entire theatre draped in red, had a very pragmatic motivation – a cover-up! McLane recounted the story to CBS.
- The Boston season was originally meant to start previews on 27 June 2018; however, due to an issue with the theater’s roof it was delayed until 10 July 2018.
- Before working on Moulin Rouge! The Musical, Alex Timbers and Justine Levine had collaborated on Bloody Bloody Andrew Jackson and Here Lies Love.
- Songwriters receive a standard Broadway royalty as it would apply if 100% of the music and lyrics were composed by a single composer. Then that royalty is divided up proportionally between all the songwriters and publishers based on how long each individual song is featured as a percentage of the overall score. The longer the song, the larger the share of the license pool. Like most musicals, the royalty payable is tied to ticket sales.
- There were some changes from Boston to Broadway – “Shake It Off” was cut, “Burning Down the House” was added, and “Chandelier” would be sung by Zidler.
- One of the hardest songs to secure was “Sweet Dreams” by the Eurythmics – it ended up taking Alex Timbers to personally approach Dave Stewart to get it approved.
- Some songs for the movie were not attainable (e.g. “The Show Must Go On” was tied up with the Bohemian Rhapsody film, and “Smells Like Teen Spirit” as there was a Kurt Cobain production in the works. “Uptown Funk” was almost included, but one of the 11 required artist approvals declined. The inclusion of songs by The Rolling Stones was a coup, because Baz Luhrmann had hoped to get them for the film but had been unable to secure them at the time. Indeed, one of the most iconic songs from the film (and now the musical) – “Nature Boy” – was actually a replacement for “Father and Son”, which they could not obtain the rights to.)
- There are several characters in the show based on real historical figures – artist Henri de Toulouse-Lautrec, Charles Zidler (renamed Harold Zidler in the film and stage show), and cancan dancer Nini les-Pattes-en-l’air (Nini legs-aloft) – simply known as ‘Nini’ on stage. Chocolat was the stage name of Rafael Padilla, who performed in the Paris circus (not the Moulin Rouge, as far as we know), but in the stage adaption the role became female.
- Not only was Toulouse-Lautrec a famed artist, but he most definitely frequented the Moulin Rouge – indeed, one of his most famous works is called “At the Moulin Rouge”.
Facts & Figures – The Film
MOULIN ROUGE! was shot in Sydney in 1999/2000 and premiered on 9 May 2001 at the Cannes Film Festival.
Sample territory release dates and box office in AUD:
- Australia 24 May 2001: $27,767,919
- USA 18 May 2001: $108,386,085
- UK 7 Sep 2001: $52,054,762
- Germany 18 Oct 2001: $14,346,185
- Japan 17 Nov 2001: $841,7891
- Sweden 12 Oct 2001: $5,948,559
Data courtesy of Screen Australia, ComScore, MPDAA. Correct as at 8 Sept 2020.